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RFJ
§The Making

Colophon

The typography, the methodology, the people consulted, and the limits acknowledged. The page that exists because every serious work deserves one.

A colophon is the back-of-book page where, in the manuscript tradition, the scribe identified the work: who copied it, where, when, with what tools, from what exemplar. This is the digital equivalent — an explicit account of how this notebook was made, what choices were deliberate, and what its limits are.

Who made this

This site is currently maintained by a single operator — an Australian Muslim with a background in software engineering and a personal stake in living riba-free with his family. He is not a credentialled ʿālim. The site does not issue rulings; it synthesises and cites the work of scholars who do.

The operator's identity is not yet published openly here. Three reasons: (1) the family has not yet decided whether public attribution is wise given the contested nature of some content, (2) the work should stand or fall on its own merit rather than its operator's reputation, (3) the move toward a public byline is planned once 1–2 scholar advisors join. For practical purposes — corrections, partnerships, story submissions, or any question — email support@ribafreejourney.com; responses are personal.

What the operator IS: a serious student of contemporary Islamic finance scholarship, a careful reader of AAOIFI Shariah Standards, and a layperson who has spent years sitting with these questions in his own household. What the operator is NOT: a mufti, a Shariah board member, a credentialled scholar, or someone qualified to issue fatwa. The corpus on this site does that work; the operator only organises and cross-links it.

Typography

The body text is set in Fraunces for display headings — a high-contrast serif designed by Phaedra Charles and Flavia Zimbron, with the dramatic Didone-style curves that read clearly at large sizes. Body running text uses Geist Sans, a contemporary humanist sans-serif released by Vercel. The numeric and code passages use Geist Mono, with tabular figures enabled for the Hijri / Qurʾān verse references like 2:275.

The Arabic body text uses Amiri, a contemporary digital naskh designed by Khaled Hosny on the Bulaq foundry tradition. Arabic display lines (the Bismillah on the home page hero) use Reem Kufi, a contemporary kufic designed by Khaled Hosny — chosen for its legibility at large sizes and structural restraint.

The line measure is set close to 70 characters; this is the readable middle ground between the scholarly 60-character measure of academic typography and the wider 80-character measure of modern reading sites. Anything beyond 80 reads as friction; anything below 55 reads as cramped.

Palette

Two themes — light and dark — sharing a single accent palette:

Methodology

The site's content is organized in nine sections, written under five disciplines:

  1. The Why — exegetical and jurisprudential. Reads the Qurʾān 2:275–281 sequence, surveys the four Sunnī madhabs' positions on modern bank interest, presents the ḥikmah (divine wisdom) arguments, and refutes the necessity argument against its own classical conditions.

  2. Consensus — quantitative. Surveys 59 named scholars and collective bodies on six core questions. Generates percentage breakdowns. Every position is sourced to a specific publication or fatwā number.

  3. Structures — technical. Three Islamic contract types (Murābaḥah, Ijārah, Mushārakah) with cashflow diagrams, structural-property comparison against the conventional mortgage, and country-by-country implementation map.

  4. Trade & Barakah — exhortational. The scriptural foundation for entrepreneurship, the Prophet's ﷺ commercial timeline, the Companions' wealth.

  5. Audit — empirical. Providers across four markets (Australia, the US, UK, and Canada) graded against the Six Pillars of Real Compliance, with named-scholar consultation and, where public, a document-grounded read of how each contract actually works.

  6. Playbook — practical. Three capital tiers, the housing chapter, the entrepreneur patterns drawn from documented US/UK exemplars.

  7. Invest — pedagogical. Halal investment instruments, platforms, calculator with bull/base/bear scenarios.

  8. Obligations — completionist. Zakāt, mawārīth, halal income audit.

  9. Hijrah — exitential. Five destinations with visas, costs, trade-offs.

What this notebook is NOT

In honest terms:

What this notebook IS

The technical layer

Built on Next.js 16 with the App Router, deployed on Vercel. Content is authored in MDX (Markdown extended with JSX components). The geometric backgrounds are pure SVG with CSS animations — no Three.js, no WebGL, sub-1% CPU. The retrieval AI at /ask uses keyword scoring over a typed JSON corpus, with optional Claude (Anthropic) synthesis grounded to retrieved citations.

The codebase is intended to be open-sourced once the launch settles. The US, UK and Canada editions already run on the same framework as the Australian one; a reader who wants to add a new market should be able to fork the structure and swap in local providers, the tax envelope, and scholarly voices.

Acknowledgements

The intellectual ancestors of this work, named explicitly:

And the patient family who lived with this getting built.

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